kol9remesez – leelya
The overcomplexity of drums, reaching levels of spaceflight through curved spacetime.
Number of tracks: 10
Total lenght: 25 min
Catalogue number: EEM055
The overcomplexity of drums, reaching levels of spaceflight through curved spacetime.
Dynamic, rhythmically active, contrasting motifs dominate the album, emanating shades of IDM, glich, and post-industrial music.
In a noisy and chaotic world, many of us are looking for calmness or emptiness. And when we finally find some pieces of silence, we understand that they are not empty at all.
I was standing between epochs of humans’ growing, between periods of flowers’ maturity. I was trying to hear a sound of stopped time while I was standing between humans and flowers.
All Things Must Pass is a journey through grief, melancholy, and reflection and is dedicated to the memory of my most faithful and parted friend.
Broken and syncopated stream of percussive attack, punching through disharmonic leftovers in reverberation, not welcoming you at all by constantly reminding of its continuously corrupting state.
Sometimes it’s better to just listen to your inner self. That’s what this album is about: pure primitive emotions with zero sugar coating.
A sense of ashes, coming from the burning memories, which are transformed into shape of soundwaves. The cold vibrations resemble the observation of lonely spaces created around people, a discoloured view of wallmarks around the mist-filled mind corridors.
Divider is a split between two live sets. Parietal is a meditation on the birth of human consciousness and subsequent division(s), partly inspired by David Lewis-Williams’ book The Mind In The Cave. Mare is a mid-tempo ride in a dark sea of analog drones and intervowen arpeggios.
Take a pipette and drip a drop of water on your own palm. Transparent drop, full of invisible organisms, chemical elements, and personifications. Looking at the drop, thoughts are spinning. With the other hand rub the drop until the drop penetrates the skin and disappears. Hands need lots of water, but it’s enough for this time. Look at the lake…
Sticky and cold silicone sealants, spades and screwdrivers allow you to forget the crippling life threatening drama of Strict, Event and Resistance. Another pile-up of sand which was forcefully shaped into something comprehensible and mostly even danceable. Disclaimer – the danceable part is evaluated by the rhythmical insanity of the brain in control of the sequencer. Apply incorrectly and it’ll break your spine.
Qualia is ‘an unfamiliar term for something that could not be more familiar to us: the way things seem to us’, such as the perceived redness of an evening sky – it cannot be put into words. These compositions are an attempt to describe a space in the artist’s mind, a three dimensional region of emotion and feeling influenced by a fleeting yet intense period of saudade – an indescribable longing for something one never had.
Dreamlike walk through inner depths, as if you were walking on thick ice surrounded by misty void and could wake up any second. The sounds reflect a journey through grief, anxiety, finding peace in solitude.
Written using virtual machines controlled by haunting Taoist infernal dreams inspired hands. Driven by the awareness of the plaguing fact that the artist has to compete with others by implementing his own ideas, not attached to anything in particular but his mind only. Showing features of artist’s body, heart and soul while he’s being in a state of a magical drive. A theater of mashing abstractions sampled and processed ideas, where complex beats and smashing sounds emerge to evoke energy and will inside the listener’s mind.
This album is about beat impressionism, when the beat does not make the rhythm, but the mood instead. Breakcore and IDM inspired mess of beats and breaks and plastic.